*In his works, you can see the evolution in his dialogue with colours and geometry. Despite his preferences for contemporary artists like Francis Bacon, his reminiscence comes from the neoplasticism of Mondrian, Ben Nickolson, and in some way, Picasso. Considering that he does not stress about the subject matter, geometry, for geometry’s sake, is key in his pieces. He uses the technique of 'dropping' by Pollock but with the order and sense of Rothko. As he assures, Cubism has been part of his life but is only in the early part of his career; in his more recent research and studies, he is emerging both cubism and abstract expressionism in just one bright and sharp Pedro. His main aim is interacting and dialoguing with the spectator, telling a story. After a short figurative spell combined with his characteristic geometric style. *

WALL STREET JOURNAL. USA 2019

These are the artworks left from the 2021 Collection. For purchase, please get in touch with the studio

"Sunday's Magic Games "
Featured with VANITY FAIR August and October
Exhibit once by FLUX EXHIBITION from The FLUX Review Magazine November 2021 at The Design District London UK
Acrylic, copper powders, gold leaf, and black gloss on canvas 2.00H x1.100Wcm framed.
Price: £6,000.00

"Rustic Thought"

Acrylic and textiles on wood 1.10Hx1.00Wcm Framed

Price: 4,000.00 Featured in BRITISH VOGUE March issue 2022

"The Perfect City"

2021 mix media on hard paper and copper powders.

The piece is framed in an art-deco frame style, with an incorporated unreflective museum glass.

Price: £1,000.00

"The Perfect City" 2021 mix media Paper and copper powders Price: 2,150.00 Pedro Sousa Louro

"The Rabbi Chanting magical one"
Mix media and copper powders on canvas 78cmWx124cmH. Framed.
Price: £3,300.00

“Mixing identities one.”

2021 mix media Paper, wood and copper powders on wood panel.

The piece is framed with unreflective museum glass incorporated.

Price: £950.00

"Social Vagabond "

Mixmedia and copper powders on canvas .153Hx125Wcm framed

Price: 4,000.00 Featured in Vanity Fair March issue 2022